The Desire Path, and our very own Oier Agirretxea representing Noirfonce - Day 0

The Desire Path, and our very own Oier Agirretxea representing Noirfonce - Day 0

Originally from the Basque Country, Oier Agirretxea arrived in Madrid searching for opportunity and connection. Through running, he found both. What began as a personal pursuit quickly evolved into something much larger, culminating in the creation of Degens Run Club: one of Madrid's most dynamic running communities. Built around a shared love of movement, the club has become a meeting point for athletes, creatives, and curious minds alike, proving that running is often about far more than the kilometers logged.

That same spirit is what makes Oier part of the extended Noirfonce family. Over the next few days, he will be taking us along on a Nike-organized journey shrouded in mystery. Very few details have been revealed, with participants given just enough information to prepare but not enough to know exactly what awaits them. What follows is Oier's account of an experience shaped by anticipation, curiosity, and the feeling that something truly special is just around the corner.

--

The alarm went off before dawn.

At 7:40, I was leaving Madrid behind, carrying the familiar cocktail of excitement and uncertainty that comes with saying yes before knowing exactly what you're saying yes to. The days leading up to the trip had been spent trying to decode clues, reading between lines, and constructing theories from the very little information we'd been given. What exactly awaited us remained unclear.

The plane offered no answers.

Nor much sleep.

Not because I wasn't tired. Quite the opposite. But some experiences arrive with a particular kind of energy. One that keeps the mind moving faster than the body can follow. The flight became another opportunity to replay every possibility, every scenario, every fragment of information we'd received so far.

Stepping out of arrivals, I was met by a driver holding an iPad displaying my name. One of those moments that immediately feels like it belongs to somebody else's life. The car waiting outside certainly didn't help. Comfortable to the point of absurdity. The sort of arrival that triggers a severe case of impostor syndrome. Surely there had been some mistake.

The journey through the city ended at the hotel, where Kate from the race team welcomed me, handed over the room key, and casually informed me that dinner would take place later that evening.

…That was it. No grand briefing. No revelations. Just enough information to keep the questions alive for another few hours.

The rest of the day I spent walking around the city. 

One of life's great pleasures is wandering through an unfamiliar city alone. No destination. No schedule. No obligation beyond remaining curious. So that's exactly what I did.

The British Museum. Oxford Street. Piccadilly Circus.

Hours passed without much purpose beyond observation.

Cities reveal themselves differently when nobody knows who you are. There is a freedom in anonymity. Mac Miller in the AirPods. Eyes wide open. One foot in front of the other. The Underground carrying millions beneath the city while life unfolded above it.

Naturally, the pilgrimage eventually led to Nike. Although the OG NikeTown is still under construction, the temporary store is just as stunning.  The store was enormous. Busy. Alive.

Football dominated the conversation, with the World Cup woven into every corner and display. The attention to detail was what you'd expect. Layer upon layer of storytelling hidden in plain sight. Yet somehow it was the ACG corner that kept pulling me back. A small pocket of the store that felt like a portal to somewhere else entirely.

By late afternoon, the wandering gave way to something resembling restraint. There was still dinner ahead, and whatever came next would likely demand energy.

Not before one final encounter. A brief meeting with familiar faces from the Noirfonce universe. The team from Mental Athletic. Colin from Homerun NYC. A quick exchange. A few conversations. Enough to confirm that something meaningful was beginning to take shape.

No details yet. Just a feeling. The kind of feeling that usually means something big is coming.

Tomorrow would tell us more.

 

Regresar al blog

Deja un comentario

Ten en cuenta que los comentarios deben aprobarse antes de que se publiquen.

Otros blog posts

New Balance 1890 on Film, Part 2: One Night at Gallery Noir

New Balance 1890 on Film, Part 2: One Night at ...

Part 2 of our New Balance 1890 project: we turned Espacio Amen in Malasaña into Gallery Noir to show four photographers' work on analog film.

Leer más

New Balance 1890 on Film, Part 2: One Night at ...

Part 2 of our New Balance 1890 project: we turned Espacio Amen in Malasaña into Gallery Noir to show four photographers' work on analog film.

Leer más
Kiko Kostadinov x Oakley Ellipse: Feathers, Wood Grain and a Logo You Can Wear

Kiko Kostadinov x Oakley Ellipse: Feathers, Woo...

The Kiko Kostadinov x Oakley Ellipse brings feather and wood grain finishes off the Paris runway. Amherst Fade with Prizm Bronze lenses at NOIRFONCE Madrid.

Leer más

Kiko Kostadinov x Oakley Ellipse: Feathers, Woo...

The Kiko Kostadinov x Oakley Ellipse brings feather and wood grain finishes off the Paris runway. Amherst Fade with Prizm Bronze lenses at NOIRFONCE Madrid.

Leer más
Tom Sachs x NikeCraft GPS "Demerits": Break the Rules, Wear the Penalty

Tom Sachs x NikeCraft GPS "Demerits": Break the...

The Tom Sachs x NikeCraft General Purpose Shoe "Demerits" (FZ1363-002): a black leather GPS born from a school dress code and a marker pen. Out Sept 30.

Leer más

Tom Sachs x NikeCraft GPS "Demerits": Break the...

The Tom Sachs x NikeCraft General Purpose Shoe "Demerits" (FZ1363-002): a black leather GPS born from a school dress code and a marker pen. Out Sept 30.

Leer más
Mowalola x Air Jordan 14: A Relic, Waiting to Be Found

Mowalola x Air Jordan 14: A Relic, Waiting to B...

The Air Jordan 14 designed by Tinker Hatfield and released in 1998, takes its cues from the Ferrari 550 Maranello: a crest-like badge, a sole that nods to racing tyres, and seven Jumpman logos hidden across the shoe, as if waiting to be counted. It's the shoe Michael Jordan wore for the Last Shot in Game 6 of the 1998 Finals. Few Jordan silhouettes carry that much story in that much detail. Now Mowalola Ogunlesi has taken hold of it. Born in Lagos, trained at Central Saint Martins, former design director of Yeezy Gap, she is one of the most distinctive voices in fashion today. Her first Jordan Brand collaboration is an AJ14 in Black/Burnt Red–Metallic Gold (IQ5708-001), unveiled in Paris this summer. The campaign is called "Something's Off". It's a good title. Because something is. The upper is a burnt red-brown that looks aged rather than new, as if it has already lived a life. The midsole is blacked out. Plaid appears where you least expect it: at the heel and throughout the lining, red against black. The side window, traditionally home to the shield-shaped crest, now holds a round branded emblem. Underneath, "XIV" and a Jumpman sit in deep wine red, while touches of metallic gold keep the Ferrari roots quietly in view. Alongside it, Mowalola also released a backless AJ14 mule in aged metallic silver. Then there's the lettering. "MOWALOLA" runs across the side panels in an oversized cursive script, closer to a signature than a logo. It isn't printed. It's stitched: a dotted line of thread traces every letter, so the name feels drawn rather than stamped. On the insole, the same script returns on a bordeaux-red graphic, just below the Jumpman. This matters because the Air Jordan 14 is a shoe built on logos. Seven Jumpmen, a crest, a "23", an "XIV". Everything is precise, engineered, placed with the discipline of a car designer. Mowalola answers all of it with one word, written the way you would sign something you made yourself. Cursive is personal. It's a little imperfect, a little intimate, and it never looks exactly the same twice. Against the clean geometry of a Ferrari-inspired silhouette, it reads like a name carved into something old. A mark left by whoever held it before you. And the word itself is not just a brand. Mowalola is the designer's first name. On this shoe, the brand and the person are the same thing, written in the same hand. Who drew it? Neither Jordan Brand nor Mowalola has publicly credited a lettering artist for the collaboration. What we know is that the script is Mowalola's own signature mark, and that on the AJ14 it was translated into thread rather than ink. There's something about Jordans above the 11 these days. The 12s, 13s, 14s and beyond don't carry the same noise as the early numbers, and that's exactly what makes them exciting. Picking one up feels like discovery. The tones, the lines, the details you only notice the second or third time you look. They reward attention. With this AJ14, we wanted to take that feeling further. The aged upper, the muted palette, a name stitched into its side: the shoe almost feels like a relic. Something unearthed rather than unboxed. Something that needs to be delicately discovered. So we went after that idea in a dramatic way -deep shadow. Light used sparingly, only where it needs to fall. Details revealed one at a time, the stitching, the plaid, the gold, the way you would uncover an artefact: slowly, carefully, without rushing to see it all at once. We didn't want the images to explain the shoe. We wanted them to make you lean in. Photography has always been one of the ways we think about objects, from our own shoots to the work we admire, like Paolo Roversi's Doubts. Here, the goal was simple: treat a sneaker with the patience you would give to something rare. The Air Jordan 14 was designed around speed, precision and a car built in Maranello. Mowalola slowed it down. She aged it, marked it and signed it, and turned one of the most engineered shoes in the archive into something that feels personal. Some sneakers are made to be seen. This one is made to be found. The Air Jordan 14 x Mowalola "Burnt Red" is available now at Noirfonce. Explore the rest of our Jordan collection, or read about another Jordan collaboration rooted in culture: Jordan 16 x Free the Youth.

Leer más

Mowalola x Air Jordan 14: A Relic, Waiting to B...

The Air Jordan 14 designed by Tinker Hatfield and released in 1998, takes its cues from the Ferrari 550 Maranello: a crest-like badge, a sole that nods to racing tyres, and seven Jumpman logos hidden across the shoe, as if waiting to be counted. It's the shoe Michael Jordan wore for the Last Shot in Game 6 of the 1998 Finals. Few Jordan silhouettes carry that much story in that much detail. Now Mowalola Ogunlesi has taken hold of it. Born in Lagos, trained at Central Saint Martins, former design director of Yeezy Gap, she is one of the most distinctive voices in fashion today. Her first Jordan Brand collaboration is an AJ14 in Black/Burnt Red–Metallic Gold (IQ5708-001), unveiled in Paris this summer. The campaign is called "Something's Off". It's a good title. Because something is. The upper is a burnt red-brown that looks aged rather than new, as if it has already lived a life. The midsole is blacked out. Plaid appears where you least expect it: at the heel and throughout the lining, red against black. The side window, traditionally home to the shield-shaped crest, now holds a round branded emblem. Underneath, "XIV" and a Jumpman sit in deep wine red, while touches of metallic gold keep the Ferrari roots quietly in view. Alongside it, Mowalola also released a backless AJ14 mule in aged metallic silver. Then there's the lettering. "MOWALOLA" runs across the side panels in an oversized cursive script, closer to a signature than a logo. It isn't printed. It's stitched: a dotted line of thread traces every letter, so the name feels drawn rather than stamped. On the insole, the same script returns on a bordeaux-red graphic, just below the Jumpman. This matters because the Air Jordan 14 is a shoe built on logos. Seven Jumpmen, a crest, a "23", an "XIV". Everything is precise, engineered, placed with the discipline of a car designer. Mowalola answers all of it with one word, written the way you would sign something you made yourself. Cursive is personal. It's a little imperfect, a little intimate, and it never looks exactly the same twice. Against the clean geometry of a Ferrari-inspired silhouette, it reads like a name carved into something old. A mark left by whoever held it before you. And the word itself is not just a brand. Mowalola is the designer's first name. On this shoe, the brand and the person are the same thing, written in the same hand. Who drew it? Neither Jordan Brand nor Mowalola has publicly credited a lettering artist for the collaboration. What we know is that the script is Mowalola's own signature mark, and that on the AJ14 it was translated into thread rather than ink. There's something about Jordans above the 11 these days. The 12s, 13s, 14s and beyond don't carry the same noise as the early numbers, and that's exactly what makes them exciting. Picking one up feels like discovery. The tones, the lines, the details you only notice the second or third time you look. They reward attention. With this AJ14, we wanted to take that feeling further. The aged upper, the muted palette, a name stitched into its side: the shoe almost feels like a relic. Something unearthed rather than unboxed. Something that needs to be delicately discovered. So we went after that idea in a dramatic way -deep shadow. Light used sparingly, only where it needs to fall. Details revealed one at a time, the stitching, the plaid, the gold, the way you would uncover an artefact: slowly, carefully, without rushing to see it all at once. We didn't want the images to explain the shoe. We wanted them to make you lean in. Photography has always been one of the ways we think about objects, from our own shoots to the work we admire, like Paolo Roversi's Doubts. Here, the goal was simple: treat a sneaker with the patience you would give to something rare. The Air Jordan 14 was designed around speed, precision and a car built in Maranello. Mowalola slowed it down. She aged it, marked it and signed it, and turned one of the most engineered shoes in the archive into something that feels personal. Some sneakers are made to be seen. This one is made to be found. The Air Jordan 14 x Mowalola "Burnt Red" is available now at Noirfonce. Explore the rest of our Jordan collection, or read about another Jordan collaboration rooted in culture: Jordan 16 x Free the Youth.

Leer más
Adidas BadBo 1.1: Bad Bunny, Turned Down Low

Adidas BadBo 1.1: Bad Bunny, Turned Down Low

The adidas BadBo 1.1 by Bad Bunny: a bulky low-top with heritage details, shot in a music studio, plus his journey from SoundCloud to fashion.

Leer más

Adidas BadBo 1.1: Bad Bunny, Turned Down Low

The adidas BadBo 1.1 by Bad Bunny: a bulky low-top with heritage details, shot in a music studio, plus his journey from SoundCloud to fashion.

Leer más
New Balance 1890 on Film, Part 1: Four Photographers, Three Rolls, No Rules

New Balance 1890 on Film, Part 1: Four Photogra...

We gave four photographers three pairs of New Balance 1890 and three rolls of analog film. Part 1: a first look, and a question about creative freedom.

Leer más

New Balance 1890 on Film, Part 1: Four Photogra...

We gave four photographers three pairs of New Balance 1890 and three rolls of analog film. Part 1: a first look, and a question about creative freedom.

Leer más
Formula 1 Returns to Madrid: The Spanish Grand Prix at Madring

Formula 1 Returns to Madrid: The Spanish Grand ...

F1 is back in Madrid for the first time since 1981. We lived the first Spanish Grand Prix at Madring from the Audi Club Paddock, thanks to adidas Spain.

Leer más

Formula 1 Returns to Madrid: The Spanish Grand ...

F1 is back in Madrid for the first time since 1981. We lived the first Spanish Grand Prix at Madring from the Audi Club Paddock, thanks to adidas Spain.

Leer más
Noirfonce Paddock x adidas - Making It 1 of 1

Noirfonce Paddock x adidas - Making It 1 of 1

Custom adidas denim jackets, a breakfast workshop and a Scalextric track. Day 2 of Noirfonce Paddock with adidas Spain, ahead of the Spanish Grand Prix.

Leer más

Noirfonce Paddock x adidas - Making It 1 of 1

Custom adidas denim jackets, a breakfast workshop and a Scalextric track. Day 2 of Noirfonce Paddock with adidas Spain, ahead of the Spanish Grand Prix.

Leer más